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Friend of Mine

by Westhead

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1.
Wunderkind 02:36
What if me and my oldest friend, Found a way outside? Crawl through the doggy door and I’ll be her guide. Let’s fall away from here, Go to the mountainside. Move through the trees, I’m Some kind of wunderkind. Red ivy brush my leg, Wince once or twice. A chance to grow up quickly, Wouldn’t that be nice? Let’s settle down here, Rest up for the night. So glad we found a Heedless paradise.
2.
You think I love chasing after you? You know I do Bloody toes along the avenue Hoping you’ll pass through I put a record on the stereo And stayed up for a while Got some tears on the pillow Even managed to crack a smile You’re the only one that I’m ever gonna wanna come home to Spending all my time You’re the only one that I’m ever gonna wanna come home to Spending all of my time You think I love waiting up for you? I don’t know if that’s true Your brother called and he’s on his way He’ll be here soon You’re the only one that I’m ever gonna wanna come home to Spending all my time You’re the only one that I’m ever gonna wanna come home to Spending all
3.
I run all day from the weight of the world What’s it like to live without it? You can’t tell me it’s not a crying shame to be holed up now from day to day I wait all day for a sign of life It’s so hard for me to reach you I’m telling you now it’s a crying shame to see your face this shade of grey It’s hard to stop the swaying And I don’t like my shade either I could just wait here and see what else is wrong with me I don’t really know what you're saying Try to brush it off your shoulder If it were up to me I’d just cut you free and raise your head to the cold breeze I miss the life I had before I can feel it on my fingers Cause I’m telling you now it’s a crying shame that I still fucking feel this way
4.
I speak too much. I hold onto anger. I'm extremely out of touch, And I'm blind to certain failure. I hope this changes, With age and constant favors. And for now, I'll write words, On my own.
5.
Benji 04:36
Benji loves a night in the breeze, Loves grinding his teeth, Loves the scrape on his knee. Why’d you have to move so slow? Come on down the road Let’s carve up the stone Why’d you have to lose your smile? Let’s talk for a while, Barefoot for a mile. “And who are you to tell me so? Come on let it go. No need for a show.” Some time down the line When this is far behind Buddy you’ve been on my mind Some months have gone by I’m glad that you’ve tried Doesn’t it feel so nice, In this home of mine? In this home of mine Some time down the line When this is far behind
6.
All I hoped for, all i see Now becomes a memory Why would I just ditch July? Nothing’s worse than inside Moving faster than before Not just one of my settled scores Make it easier for me Do what’s right leave quickly They love to talk about your experience And what it means to them I guess I’m no different Can’t imagine this was meant to be Holding up my torn off sleeve What’s it like to be a friend of mine? Falling prey to my own design All I’ve learned and all i know Still makes me feel hollow It has to be just you and me To know this life as it’s meant to be They love to talk about your experience And what it means to them I guess I’m no different How about letting you speak your mind, Some of the time? Just tell me why

about

I tend to write about friendship quite often. As someone who has been constantly worried about what others think of me, I think I prefer this medium of telling friends serious thoughts rather than ummmmm…. Talking to them. I don’t know. It’s obviously kinda dumb but I just have a hard time looking people in the eye and being honest about our mutual experiences. This record is me dwelling on the question, “is it right for me to learn from a friend’s trauma?” and “would i want them to learn from or experience mine?”. While there’s a contained story within the record about two young friends, it tends to get more meta as it goes on. The narrator realizes near the end that it’s a bit useless to use metaphor when he can just say his thoughts. I’m the narrator, so that’s what I realize. Sometimes a story needs to back away from itself when it really wants to have an aha moment. But what do I know? I hope these sounds and noises and words are some comfort or something like that.

With all of that being said, I could not have made this without the help of so many of my favorite people and talents. I've never collaborated on a project with this many people. I can't wait to do it again.

credits

released February 19, 2021

max difrisco: vocals, acoustic and electric guitars, piano, melodica, accordion, bass guitar, synthesizer, percussion

armando carlo: piano on 2
ben kremer: drums/percussion on 1, 2, 3, 5
ellie traczyk: vox on 3, 6
g passaro: bass on 3
jack kelsey: electric guitar on 2
joe merkle: electric guitar on 3
luke moller: arrangement/performance for cello/violin/viola on 5
luke sorensen: bass on 5
michael brooks: vox on 1, piano on 5
nick brower: cello on 2, 6
roz beile: french horn on 1, trumpet on 3 and 6
tim brozowski: piano on 6
tori hall: vox/electric guitar on 6

all songs written/produced by max difrisco
recorded at mills hall in asheville, nc, picture-minded studio in oak park, il and my bedroom in elmwood park, il
mixed by max difrisco and ben kremer
mastered by michael james brooks
cover art by skylar gravitt

special thanks to cade dublin, zack traczyk, nick teta, tommy keech, marianne, marty, rick, and mike difrisco

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Westhead Chicago, Illinois

speaks too much.

Westhead is Max DiFrisco

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